teabowl

The Lady Sings

Billie Holiday. Proper Box UK 2001, Audio CD, $14.98

Billie Holiday changed how we hear women sing. In recorded music, she essentially redefined vocal pop music by introducing a more personal and immediate singing style. She also changed how we think about phrasing, basing hers on instrumental music rather than the rhythms and cadences of pronunciation. But quite apart from all that, Billie Holiday is just an absolute joy to listen to - one of those timeless artists whose music can be enjoyed in any situation, surroundings and at any time of day. Everybody should have some Billie Holiday in their CD collection. Hers is an instantly recognizable and likable sound, so deeply embedded in the fabric of popular music that pop itself is no longer imaginable without Billie Holiday. All subsequent jazz singers, and most subsequent blues and r&b vocalists, owe her a tremendous debt of gratitude. This four-disc box set is dirt cheap and contains all the seminal early records from the 1930s and 40s - the decades when she was at the peak of her vocal power and invention. Everything has been restored impeccably from the best copies available. (Subsequent recordings sound better because recording technology had improved considerably, but Billie’s voice began to reflect her drug and alcohol consumption, and her performances were no longer as elastic or accomplished.)

Come Away with Me

Norah Jones. Blue Note Records 2002, Audio CD, $7.86

I know people say “Snorah Jones.” But I like her music - I think it’s mature in a good way: music that begs to be listened to, music that’s firmly based in craft (she’s a very fine pianist) and sung with a clear, expressive voice. Yes, it’s subdued and acoustic and, as such, has been embraced by dinner party hosts and easy listening FM stations everywhere. I also like her selections; it’s music that occupies the space vacated by Aretha Franklin (when Aretha lost her bluesy grit sometime in the mid 1970s) as much as it addresses the listening public’s need for a less austere, horsy (dare I say, less ‘white’?) Diana Krall. And all of it is delivered with more than a small helping of country twang because - despite the fact that her dad’s an Indian classical music superstar and world music hero - Norah’s really from Texas.

Live at the River East Art Center

Kahil El’Zabar’s Ritual Trio. Delmark 2005, Audio CD, $11.80

Sometimes, the music you don’t understand is the music that touches you most deeply. I’ve never been much of a jazz listener; I’ve skirted around it for years, essentially avoiding bebop in its myriad permutations, and enjoying traditional jazz, some fusion and a lot of the more postmodern artists influenced by hip hop or country, such as Medeski Martin & Wood and Bill Frisell - music that’s technically jazz, but also, in some fundamental way, not. Kahil El’Zabar’s Ritual Trio falls into this category. Originally a trio but consisting of four musicians for a decade or so, the Ritual Trio features amazing, African, tribal-sounding percussion, a deep, rumbling and melodic double bass, a tenor saxophone and an electric violin. The music has lots of space and passion. It’s very spiritual and soulful, develops slowly and unfolds into moments of extreme beauty and power, similar in impact to Fela Kuti maybe, or the spirit of Miles Davis when he played an improvised sort of ‘voodoo funk’ on 1970s live records like Dark Magus and Live-Evil.

Dreamland

Madeleine Peyroux. Atlantic / Wea 1996, Audio CD, $7.67

The wonderful first album from Madeleine Peyroux, a jazz singer whose music and voice sound somewhat like Billie Holiday. This is very well-recorded and engaging music. Her two subsequent albums are also good. I like this for dinner parties, in the car and on long, sunny summer weekends (which we’re currently experiencing).

The Hot Fives & Sevens

Louis Armstrong. Jsp Records 1999, Audio CD, $21.98

This is simply incredible music. I dearly love really old, pre-bebop jazz, and Louis Armstrong invented much of it. More than a trend-setter, he was an inspiration to generations of musicians (of any genre). These British remasters of the early recordings are flawlessly done (an example of how Europe’s ‘lax’ copyright laws drive technical innovation foward and prices down, but let’s not get into politics here :)

Sad news: Jeff Healey died of cancer on Sunday.

Jeff, who was blind, first became famous for playing electric blues guitar, holding it across his lap. He had always been an avid collector of old jazz 78’s, and released two superb ‘revivalist’ traditional jazz albums in recent years, where he played the trumpet and guitar.

He leaves behind his wife and two children. News stories at Reuters and on the Jeff Healey website.